Dylan Huw works with artists and language/s.
His work takes shape via processes of playful co-exploration with practitioners working in different disciplines, and finds public form as texts and editorial projects, workshops and convenings, and audiovisual, spatial and performative collaborations. His sensibility is forged from approaching language (written, found, voiced) as “time-based” media; in testing what poetic and aesthetic pleasures can be generated from from the live, lived, communal work of revising, overwriting, annotating, corresponding, mis/translating, erring, stuttering.
He has been shortlisted twice for the International Award for Art Criticism, and his critical writing is published with Art Monthly, e-flux Criticism, The Public Review, Frieze and Sight & Sound, among others. Beyond his independent practice, his work is led by collaborative efforts to enrich the Wales-based and Welsh-speaking artistic and discursive ecosystem. In 2025, he established Testun testun, a curatorial platform for expanded art/writing practice in Wales.
Recurring collaborators include Manon Awst, Owain Train McGilvary, Freya Dooley, Catrin Menai, Kandace Siobhan Walker, Becca Voelcker, Esyllt Angharad Lewis and Fin Jordão.
CV available upon request
dylanaberystwyth at gmail dot com
He has been shortlisted twice for the International Award for Art Criticism, and his critical writing is published with Art Monthly, e-flux Criticism, The Public Review, Frieze and Sight & Sound, among others. Beyond his independent practice, his work is led by collaborative efforts to enrich the Wales-based and Welsh-speaking artistic and discursive ecosystem. In 2025, he established Testun testun, a curatorial platform for expanded art/writing practice in Wales.
Recurring collaborators include Manon Awst, Owain Train McGilvary, Freya Dooley, Catrin Menai, Kandace Siobhan Walker, Becca Voelcker, Esyllt Angharad Lewis and Fin Jordão.
CV available upon request
dylanaberystwyth at gmail dot com