Dylan Huw works with artists and language/s.
The foundation of his practice lies in the notion of writing and research as “time-based” media. This approach takes shape via processes of playful co-exploration with practitioners working in different disciplines, and finds public form as texts and editorial projects; workshops and convenings; and audiovisual, spatial and performative collaborations. His sensibility is forged from a critical fascination with the aesthetic and political potential of “minor” and decentralised praxes, and an investment in revision and reiteration as generative methodologies.
He has been shortlisted twice for the International Award for Art Criticism, and his critical writing is published with Art Monthly, e-flux, Frieze and Sight & Sound, among others. Beyond his independent practice, his work is led by collaborative efforts to enrich the Wales-based and Welsh-speaking artistic and discursive ecosystem. In 2025, he established Testun testun, a curatorial platform for expanded art/writing practice in Wales.
Recurring collaborators include Manon Awst, Owain Train McGilvary, Freya Dooley, Catrin Menai, Kandace Siobhan Walker, Becca Voelcker, Esyllt Angharad Lewis and Fin Jordão.
He has been shortlisted twice for the International Award for Art Criticism, and his critical writing is published with Art Monthly, e-flux, Frieze and Sight & Sound, among others. Beyond his independent practice, his work is led by collaborative efforts to enrich the Wales-based and Welsh-speaking artistic and discursive ecosystem. In 2025, he established Testun testun, a curatorial platform for expanded art/writing practice in Wales.
Recurring collaborators include Manon Awst, Owain Train McGilvary, Freya Dooley, Catrin Menai, Kandace Siobhan Walker, Becca Voelcker, Esyllt Angharad Lewis and Fin Jordão.